CLASSIC ART: FIRE IN THE SKY!

Here's a terrific and evocative piece of art by the late sci-fi talent John Berkey-a favourite illustrator of George Lucas- from sometime between 1976 and 77, showing Rebel X-wing fighters making their attack runs in, out and around the mighty planet killer, the Death Star, from the original STAR WARS. Sadly, this image from Berkey (whose other great film work would include art for KING KONG (1977) and SUPERMAN III (1983)), which was created as part of his commissioned work for the STAR WARS poster campaign, was not eventually used, though one other piece of character/action art (featuring the towering figure of Lord Vader with a defiant Luke, Leia and the droids underneath him) would make the grade as the iconic cover of the UK SPHERE BOOK edition of the movies adaptation in 1977. This Death Star battle art is yet another fine example of the incredible artistic work done for the saga over the last thirty-four years, and its stunning depiction remains indelibly iconic....

Check out more of Berkey's brilliant sci-fi work here:  John Berkey Image Gallery

CLASSIC IMAGE: HIGH SPIRITED REBELS!

Overjoyed with their first gargantuan success against the Empire: the destruction of the fearsome Death Star, our trio of heroes-Luke Skywalker, Han Solo and Prncess Leia, followed close behind by Chewbacca- depart the fighter bay hanger of the Massassi Temple on Yavin IV, and get ready to par-ty!

SPECIAL EDITION CLASSIC IMAGE: DEATH STAR APPROACH!

Before the onslaught of the love them or hate them Prequels, I recall that wonderful and nostalgic brief period in 1996-1997 when the world received the return of the STAR WARS Original Trilogy, restored and souped up with CG and other then digital trickery as THE SPECIAL EDITIONS, with bated breath and a great euphoria of excitement and joy that, after twenty years, it was finally coming back to the cinemas. STAR WARS destiny had come full circle, returning to the big screen where it rightfully belonged, and it looked like it was now never going to go away into limbo ever again, and we were all happy for that. Since the original releases, however, and going into the 2000's, there has been an upsurge in fan grumblings and moans about the changes made to Lucas's new visions of the film (some opinions I fully agree with: I always consider that Han shot first! It's in the original scripts!), as well as anger and frustration at the lack of Anamorphic versions of the original unaltered, pre-SPECIAL EDITIONS, being being released on DVD and, so far, Blu-ray, and a general mild but growing dissent, criticism and hatred of the SPECIAL EDITIONs in all forms, especially with the further changes made to them with the first DVD releases of the Trilogy in 2004. It seems that Lucas, considering the most recent versions of the Original Trilogy to be definitive in his eyes (surely until the Blu-rays in September!), can't win any artistic respect these days with a lot of the fans whatever he does linked to the originals.

With next year being the fifteenth anniversary of THE SPECIAL EDITIONS, I thought it might be nice, instead of talking about the things that don't work (as everyone else seems to do online), for AFICIONADO to do an occasional series on the moments, large or small, considered improvements by Lucas to the films, that do actually work and which should be applauded and appreciated, starting off with this terrific image of the Rebel X and Y-wing fighters in space heading towards the Death Star. This new shot is great (I love the original 1977 scenes, too) and I particularly liked the faster movements of the ships and the camera panning with them, adding to the excitement of the film's final decisive conflict.

Look for more great SPECIAL EDITION shots in the not too distant future...

ILM CLASSIC IMAGE: GOING IN FOR THE KILL!

Above the Death Star planetoids surface, two deadly TIE fighters move speedily to intercept a Rebel X-wing fighter (possibly Luke's, from looking at the Fourth Draft script) in a lovely ILM 1976/77 storyboarded image by artist unknown (presumably Joe Johnston).

With thanks to Chris Baker for the image.